Final Composition

More marmoset magic with some simple high and mid poly meshes, and some emissive masks.

Environment

Environment

I had high hopes for my environment, but then those hopes met the Scope-Axe. My environment has a crate I made for a team of students in cohort 13, as well as a set of rocks, grass cards, and 2 tiled materials.

Terrain painting material

Vertex painting material

Master material for meshes

Lighting 2

For this 3 point lighting assignment, I created a paintover of a character made by Javier Ureña.

Tiled Materials

Stylized rock and gravel sculpt

Eroded metal sculpt

Renders in Toolbag 3

Renders in Unreal Engine 4

Perspective 2

YOU HAVE TO PLAY THIS VIDEO WHILE LOOKING AT MY IMAGES!

Composition 2

Using Maya, I created some simple shapes to define a large environment, while viewing them all in smooth preview. After adding edge loops and creasing, I found a shape I liked, and committed the smooth to a high poly mesh. I then exported those meshes to Toolbag 3, where I created shaders, lighting, and filter settings to taste.

Value 2